Here are the two answers to the key questions you might have about Susan Boyle’s return appearance on “Britain’s Got Talent” last night: Yes and yes.

As in: Did the Scottish singing (and Web) sensation nail it again? And, does she look better?

Indeed, except for her proclivity to pick purplish songs from crowd-pleasing, but mediocre musicals (which matched her aubergine frock)–this time “Memory” from “Cats”–Boyle was a huge hit offline and online in the semi-finals of the television show.

She quickly made it into the finals, which is no surprise, of course, and which are set to take place next Saturday.

Here is the video of Boyle singing that overripe song quite elegantly, as well as her post-song interview:

Here’s more extraordinary video of Susan Boyle, the Scottish singing sensation.

The unknown 47-year-old is seen below in new online videos unearthed by Scotland’s Daily Record and shot at a 1984 competition at the Fir Park Social Club in Motherwell.

She is 22 years old in these videos, but sings “I Don’t Know How to Love Him” and “The Way We Were” just as well as she did recently on “Britain’s Got Talent,” with the emotion and depth of someone of great insight.

BoomTown has obviously been deeply moved by Boyle’s voice–and I don’t even much like any of these weepy-sappy songs she is performing–but is mostly in shock that this talented woman has remained so undiscovered until now.

Thank goodness for viral online video.

The “Way We Were” video already has almost three million views. And the first video of her recent performance of “I Dreamed a Dream” has gotten almost 52 million views.

Here are the new ones:

The Internet sensation that is Susan Boyle just keeps getting better.

The Daily Record in Scotland uncovered a 10-year-old recording that the 47-year-old woman made for a charity CD.

Singing the classic blues ballad, “Cry Me a River,” Boyle more than proves she has the range of the truly gifted artist (not to mention emotional depths that seem endless here) she displayed recently on the television show, “Britain’s Got Talent,” with an astonishing rendition of “I Dreamed a Dream” from the musical “Les Miserables.”

She has since become a viral hit on the Internet for her performance, with the online video of it now hitting 30 million views (doubled last week).

Here is the video of Boyle singing “Cry Me a River”:

We consider Jill Sobule to be the musical muse of ATD–which we desperately need since we are obviously way, way too jacked into the matrix.

That’s precisely why we have the gifted singer-songwriter appear annually at our D: All Things Digital conference–to kick off each day’s sessions with one of her songs and, more to the point, add a lot of much-needed levity and nontechie soul to the proceedings.

And tomorrow, Sobule’s Internet-funded album, “California Years,” produced by the legendary Don Was, debuts. I urge everyone to click the link here and get a copy–online, of course.

And by Internet-funded, I mean that the $75,000 needed to produce the album was raised entirely through an innovative Web initiative Sobule ginned up in late 2007 via a site called Jill’s Next Record.

Sobule wrote about the effort several times in our Voices section, where you can read about her asking for ideas here, launching her fund-raising site here and, finally, talking about the result here.

Sobule (pictured here in cartoon form)–whose big mainstream hit a few years ago was a much-better-than-hopelessly-dopey-Katy-Perry “I Kissed a Girl”–had worked her way through four record labels (she was dropped by two and two went belly-up) with six CDs.

Sick and tired of the way musical artists had their work funded, she essentially asked her fans to become her record label, writing on her site: “It would be a sort of patronage thing, where you guys are the Medici family, except I give you prizes for donations of certain amounts.”

The $1,000 “platinum” level, for example, got the donor a theme song and the $5,000 “diamond” level got a house concert by Sobule.

And what her fans are getting now in the completed album is superb–a sometimes funny, sometimes sad and always moving work. (My young sons cannot stop singing her perfect song, “San Francisco,” for example.)

As Sobule writes:

“‘California Years’ was written over the last three years, following my move to the West Coast. It was influenced by the sights and sounds of the Golden State, especially the seductive, but not always sunny Los Angeles. Maybe the next record will be ‘The Utah Month’ or ‘Back to Brooklyn.’

“The whole thing was made possible by a small but mighty fan base. They gave me the love, encouragement and the dough to do this. I was truly surprised and so very grateful. This record is for them.”

Let’s cheer on efforts like Sobule’s and hope for a hit. Because hers is indeed a small but mighty effort, as all kinds of content creators try to figure out businesses in the new digital age, unafraid of the changes inevitably coming (AP might want to take notes about this).

Here is Sobule in a long interview on NPR last week (which you cannot embed, bad NPR!) and another video below on CNN about her digital project:

And here are two videos I did with her about the effort. The first has one of the songs on the new album, called “Nothing to Prove,” and the other an update on what she wants to do next, digitally and musically speaking:

I chatted with both Rosensweig and Activision (ATVI) president and CEO Bobby Kotick yesterday about the move and where the gaming company is going in the year ahead.

“I love music and I love big brands,” said Rosensweig (pictured here), whose enthusiasm for music, especially for Bruce Springsteen, is well known in Silicon Valley. “I wanted to do something different, something fun and something that was going to be the next big space online.”

And, indeed, the online music gaming space is stronger than most other Internet businesses these days, with a lot of potential, having just started to tap into social networking, mobile and other interactive possibilities.

So far, as a retail and home phenom, Guitar Hero has been a huge success since its release in 2005, followed by several new versions. And the company will be releasing a hip-hop-themed DJ Hero–complete with a turntable–soon, for example.

But, to keep up the pace, it will now be Rosensweig’s job to feed the consumer beast as never before.

Kotick said he had spent a lot of time looking for the right exec to turbocharge the company’s online Guitar Hero network. Already, for example, he pointed out that 200,000 original, user-generated songs had been uploaded to its Web site, with many millions downloaded back.

He noted that the concept of the “release your inner rock star” fantasy that Guitar Hero taps into at home had still not gone online as much as it could, and added that the brand would be moving into more and more music genres.

“We already have a big online business, but we have not even reached into five percent of the installed base of gamers,” said Kotick (pictured here). “I wanted someone who could focus on this with a passion and who gets how to leverage what we have already built.”

Kotick said he initially had asked Rosensweig for suggestions about who would be good for the job, having gotten to know him when Rosensweig was COO of Yahoo (YHOO) and Kotick was on its board.

“It was funny, but as I started talking to him, I thought he was the perfect person for it,” he said.

And it was perfect timing too, with all the turbulence on Wall Street and in the private equity business. Rosensweig had already been thinking about getting back into operations, after his post-Yahoo stint at Quadrangle.

“There is a lot of uncertainty in the market, but what I really wanted to do was be part of developing a whole new space for an already hugely successful brand,” he said. “The growth opportunity and the ability to scale here is enormous.”

Rosensweig, who will start April 20, does have his work cut out for him, overseeing Guitar Hero’s game development, marketing and distribution.

(The division’s former head and the co-creator of Guitar Hero, Kai Huang, will report to him, while Rosensweig will report to Activision President Mike Griffith.)

Besides dealing with the weak economy, which the company signaled in its most recent quarter could bring trouble, the Guitar Hero behemoth must keep innovating.

Rosensweig is also facing competition when competitor Rock Band releases a Beatles-focused music offering in September. It is likely to be very popular, even though Guitar Hero has typically outsold Rock Band.

More significantly, some think the entire online music gaming trend has played out, with sales down year over year.

Not Rosensweig. “It is just the beginning of what it could be online in this business,” he said.

And, for those interested, here is the full press release:

Activision Publishing Names Media Veteran and Former Yahoo! COO Dan Rosensweig President and CEO of Guitar Hero(R) Business Unit

–Appointment Further Strengthens Company’s Senior Management Team

SANTA MONICA, Calif., March 23, 2009 /PRNewswire-FirstCall via COMTEX News Network/–Further strengthening its senior management team, Activision Publishing, Inc. (Nasdaq: ATVI) announced today that Dan Rosensweig has been named President and Chief Executive Officer of RedOctane, the business unit which develops the blockbuster Guitar Hero(R) franchise and soon to be released DJ Hero(TM).

Mr. Rosensweig will oversee Guitar Hero’s global operations including game development, hardware manufacturing, supply chain, logistics and marketing. He will report directly to Mike Griffith, President and CEO of Activision Publishing. Kai Huang, former President and CEO of RedOctane, who along with his brother Charles Huang created Guitar Hero, will continue working at RedOctane reporting to Mr. Rosensweig.

Mr. Rosensweig brings significant experience to Activision having served as Chief Operating Officer of Yahoo! from 2002 through 2006, where he oversaw the company’s worldwide operations including its product development, marketing, and advertising sales and the development and introduction of inventive new Internet advertising formats.

Additionally, he spent 18 years at Ziff Davis, most recently serving as President where he was responsible for the global operations of the company and the successful merger of ZDNet and CNET. He held several senior positions during his tenure at Ziff-Davis, including President and Chief Executive Officer of ZDNet, which he built from a standalone Ziff-Davis company to a publicly traded, highly trafficked Internet network, President of Ziff-Davis Internet Publishing Group and Vice-President and Publisher of PC Magazine.

Prior to joining Activision, from 2007-2009, Mr. Rosensweig served as an operating principal at Quadrangle Group, a private investment firm, where he focused on the firm’s media and communications private equity business.

“Under the leadership of Kai and Charles, Guitar Hero established the music gaming genre and became a global phenomenon,” said Mike Griffith. “With the addition of Dan’s proven operational expertise and leadership, we will continue expanding the franchise’s global footprint in new and innovative ways. Dan’s deep understanding of how consumers can be entertained online will be invaluable as we continue to build Guitar Hero’s complementary growth channels, further establish the franchise as an innovative music platform and develop relationships with new business partners.”

Robert Kotick, Chief Executive Officer of Activision Blizzard noted, “I had the great pleasure of working with Dan during his tenure at Yahoo!. Dan has a rare combination of deep business expertise, entrepreneurial instincts and an incredible passion for music. We are looking forward to leveraging his proven online experience to build upon the billions of hours of entertainment we deliver each year in the Guitar Hero network.”

“I am extremely excited for this opportunity to work with the talented Guitar Hero team, which has transformed the interactive entertainment landscape,” said Mr. Rosensweig. “With a platform and content that universally engages a wide range of audiences, Guitar Hero has incredible growth potential. I look forward to continuing to develop Guitar Hero into an even more successful enterprise.”

Now, the Democratic side–which has been overwhelmingly more active in creating funny online videos–is back with yet another political spoof.

This time, it is via pranking on boy bands like ‘N Sync and New Kids on the Block with a new one. Of course, the group is called Boybama.

Singing to white independent women, Boybama’s song, “Battleground for Your Heart,” is oddly catchy.

Here’s the video:

“Is that all there is, is that all there is.
If that’s all there is my friends, then let’s keep dancing.
Let’s break out the booze and have a ball,
If that’s all there is.”

Peggy Lee sang it best about troubled times in the classic song “Is That All There Is?”

But, dancing and making a video about dancing is obviously something that elevates Yahoo (YHOO), which is no small thing in this tough period for the iconic Internet company.

In the video below, Yahoo’s Yodel Anecdotal Blog Editor Nicki Dugan (whom BoomTown is immediately offering a job as AllThingsD.com video chief) takes the well-known dancing-fool Internet celeb Matt Harding of the Where the Hell Is Matt? Web site and places him all over Yahoo for 33 dancing sessions.

The video was recently shown at the company’s all-hands meeting, and it is simply delightful to see Yahoos looking happy simply by tripping the light fantastic.

I think activist shareholder Carl Icahn should make Harding one of his picks for the Yahoo board. (Icahn was officially appointed to the board yesterday, and his two board picks will be revealed Aug. 15.)

Highlights of the video of Harding dancing at Yahoo include Co-Founder David Filo’s infamous mess of a cube, a video conference jig with the team in Burbank, doing a sitting-down boogie with President Sue Decker, having a tango with Yahoo’s Purple Cow and a hip-shaking visit to “Frenemy Territory” at Google.

Best of all, of course, is a do-si-do with Yahoo Co-Founder and CEO Jerry Yang, who seems to be channeling an odd combination of Tony Manero in “Saturday Night Fever” and Barney the purple–how perfect!–dinosaur in his dance stylings. (Enter a caption contest here related to the picture above.)

Happily, this is the kind of dancing it is enjoyable to see Yang doing, because the two-stepping, shuffling and tap-dancing he is going to have to do to stay in power–after the much less sanguine shareholder vote this past week–is going to be much less fun to watch.

Here’s the video from Yahoo (all credit to Dugan and Yahoo) and the wonderful “Dancing 2008″ video that Harding did all over the world (I dare you not to smile):